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There are footsteps on the stairs and he opens his mouth to turn whoever it is away, but before he has a chance the door swings open.
Illya fights the urge to shove him. Room service does come at a cost, after all. The food is delicious though, so when he quietly makes his way downstairs in the dead of night and sees Napoleon asleep on the couch, he decides not to take the opportunity.
He walks with a purpose. Because he has more important things to do then watch the sleepy way Napoleon settles back into the cushions.
Chefs too expensive, clientele too limited. I would very much like to gain your support on this. Illya sits in a room a few doors over and one floor up, listening carefully in on the conversation in case something should go wrong.
The mark is an elderly woman this time, elegant and poised exterior masking one of the leading members of an organization that smuggles precious artifacts in and out of countries for personal collections.
They only need information on his whereabouts, possible bank accounts or accomplices, anything they can find. Which is why Napoleon is currently charming her with a full course dinner while Gaby flirts her way past the guards at Ms.
By the end of the night they should have what they need and be on their way out of the country. Yet Illya sits ramrod straight in his chair with a bitter taste in his mouth, glaring at the transmission device sitting on the table in front of him.
Merriweather titters and begins the main meal. Illya refrains from punching a hole through the wall. The compliment is brushed aside easily and an intimacy established.
As much as it irritates him, Illya has to admit Napoleon is far better at these kinds of missions than he could ever be. Too much subtlety, too many mind games.
He prefers action out of view over the careful maneuvering Napoleon does in plain sight. He also prefers not dealing with their marks directly.
And he wishes Napoleon were able to do the same. Talking, questioning, those he can accept. But Napoleon is asked to give far more.
Will be in and out of his life like without a trace. When Napoleon leaves for their rendezvous point Illya stands and stretches out his cramped muscles, paces around the room a few times before hastily packing and heading out into the bustling city streets.
Gaby and Napoleon both look up at him expectantly. Was it one of the cabs, get stuck in traffic? Illya forces a grimacing smile, answers short and clipped.
The city is beautiful, wanted to see as much as possible before leaving. Illya sits stiffly beside them at the table, briefcase set at his feet and cap laid on his upper thigh.
Your father is coming here? His confusion is his to decipher, not for them to tease and pick apart. The minutes pass slowly and Illya refuses the suggestion that he order some dinner, the very idea of it making him grimace.
At least then he can eat sawdust without worrying about poison or subterfuge. He blinks the sleep from his eyes and looks down at the seat beside him, empty save for a steaming plate of ravioli and a smaller dish with panna cotta and raspberry sauce.
Illya lets out a huff, anger draining from him and something else rushing in instead, something warm and slightly unfamiliar and it scares him with the possibilities.
Something about his subconscious trusting Napoleon so implicitly irks Illya and he leans back in his chair to brood the rest of the way home.
His apartment holds the promise of peace and quiet He misses the curious, wistful look Napoleon gives his empty seat and the way it gets slightly brighter when he sees the used dishes.
He misses the curious, questioning look Napoleon and Gaby share. Napoleon is singing in the kitchen, keeping time with the melody as he mixes crisco and flour and salt.
But the girl nods, tiny teardrops still glistening in the corners of her eyes, and stays put as Napoleon makes his way back to where Illya and Gaby are still standing in the entryway.
They are not equipped to deal with a child. Illya thinks to go comfort her but realizes she probably needs her space. It had been a tiring day for all of them.
Instead, Illya tries to wrack his memory for Russian games, nursery rhymes, anything that could be used to entertain a young child.
She nods silently and lifts her arms, letting Napoleon carry her to the kitchen. The words are deep, tinged with sadness despite the playful way Napoleon sings them.
He places the crust in the oven with a flourish and his voice rises in volume. This is a part of his partner that even he rarely sees.
Napoleon catches his eye and gives him a wink as he continues to sing. Illya startles, schools his features, is more careful to seem enthralled in his game rather than the man before him.
Napoleon holds the bowl and coaches the girl to make sure every drop has made it into the dish. Objectively, Illya knows this plan is brilliant.
The girl has been sufficiently distracted for nearly an hour, will hopefully stay distracted for awhile more, and then they will have to pray she sleeps.
But she is comfortable with them, or at least with Napoleon, and that should work wonders for keeping the nightmares at bay. His determination is worthless, though, when he sees the girl walking timidly his way with a plate held carefully in her small hands.
Napoleon is grinning at him from the kitchen. The piece of pie is set carefully on the table near his elbow. The pie is delicious and the girl watches him curiously from the kitchen, visibly less wary of him now.
Water rushes out of the faucet as Napoleon starts in on the dishes. His voice picks up again. Slang forms exist for male names and, since a few decades ago, female names.
The suffixes give the sense of "male brotherhood" that was once expressed by the patronymic-only form of address in the Soviet Union.
Originating in criminal communities [ citation needed ] , such forms came into wide usage in Russia in the s. During the days of the October Revolution , as part of the campaign to rid Russia of bourgeois culture, there was a drive to invent new, revolutionary names [ citation needed ].
The patronymic name is based on the first name of the father and is written in all legal and identity documents.
If used with the first name, the patronymic always follows it. The suffix is - ович -ovich for a son, - овна -ovna - for a daughter.
The standard rules for the suffix have some exceptions like the following:. Historical Russian naming conventions did not include surnames.
That is the origin of most Russian -ov surnames. Modern -ovich- patronyms were originally a feature of the royal dynasty Рюрико вич и, Rueriko vich i , Rurikids , which makes the Russian patronym in its original meaning being similar to German von.
From the 17th century, the second name with suffix - ович - ovich was the privilege given by tsar to commoners. For example, in , Tsar Vasili IV gave to the Stroganovs , who were merchants, the privilege to use patronyms.
As a tribute for developing the salt industry in Siberia, Pyotr Stroganov and all his issue were allowed to have a name with - ovich. The tsar wrote in the chart dated on May 29, " By the 19th century, the -ovich form eventually became the default form of a patronymic.
Everyone in Russia, Ukraine and Belarus is supposed to have a tripartite name. Single mothers may give their children any patronym and this does not have any legal consequences.
Foreigners who adopt Russian citizenship are exempted from having a patronym. Now, an adult person is entitled to change patronyms if necessary  such as to alienate themself from the biological father or show respect for the adopted one as well as to decide the same for an underage child.
Family names are generally used like in English. Historically toponymic surnames may have been granted as a token of nobility, for example, the princely surname Shuysky is indicative of the princedom based on the ownership of Shuya.
In the 19th and the early 20th centuries, -off was a common transliteration of -ov for Russian family names in foreign languages such as French and German like for the Smirnoff and the Davidoff brands.
Surnames of Ukrainian and Belarusian origin use the suffixes -ко -ko , -ук -uk , and -ич -ych. For example, the family name Писаренко Pisarenko is derived from the word for a scribe, and Ковальчук Kovalchuk refers to a smith.
Less often, some versions of family names will have no suffix, e. Lebed, meaning swan, and Zhuk, meaning beetle but see also Lebedev and Zhukov.
Hyphenated surnames like Petrov-Vodkin are possible. Eastern Slavic languages are synthetic languages and have grammatical cases and grammatical gender.
Unlike analytic languages like English, which use prepositions "to", "at", "on" etc. Words need the help of some suffix to integrate them into the sentence and to build a grammatically-correct sentence.
That includes names, unlike in German. Family names are declined based on the Slavic case system. As with Slavic adjectives, family names have different forms depending on gender.
Only family names with neutral grammatical gender stay the same such as those ending with - енко -yenko. The correct transliteration of such feminine names in English is debated: As in English, on marriage, women usually adopt the family name of the husband, as in English; the opposite very rarely occurs.
Rarely, both spouses keep their family name. When names are written in English , the patronymic is not equivalent to an English middle name.
When the name is written in English, the patronymic may be omitted with the given name written out in full or abbreviated Vladimir Putin or V. Putin , both the first name and the patronymic may be written out in full Vladimir Vladimirovich Putin , both the first name and the patronymic may be abbreviated V.
Putin or the first name may be written out in full with the patronymic abbreviated Vladimir V. By law, foreign persons who adopt Russian citizenship are allowed to have no patronymic.
The ethnicity of origin generally remains recognisable in Russified names. The languages were official in the countries in the Russian Empire and then the Soviet Union.
Such Turkic patronymics were officially allowed in the Soviet Union. Some surnames in those languages have been Russified since the 19th century: The frequence if such Russification varying greatly by country.
Some ethnic groups use more than one name: Official names have Russian patronymics, and unofficial names are noble or tribal names, which were prohibited after the Russian Revolution.
After the fall of the Soviet Union, some people returned to using these tribal or noble names as surnames Sarah Naiman , a Kazakh singer, has a surname means that she is from Naimans.
Some Muslim people changed their surnames to Arabic style Tungyshbay Zhamankulov , a famous Kazakh actor who often plays role of khans in films, changed his name to Tungyshbay al-Tarazy.
The choice of addressing format is closely linked to the choice of second-person pronoun. Вы "Vy" is the plural of both forms to address a pair or group.
Historically, it comes from German, under Peter the Great , which uses "du and Sie" similarly. Other than the use of patronymics, Russian forms of address in Russian are very similar to English ones.
Using a "ty" form with a person who dislikes it or on inappropriate occasions can be an insult, especially the surname alone.
Other Eastern Slavic languages use the same adjectives of their literal translation if they differ from Russian analogue. All Eastern Slavic languages are synthetic languages and grammatical genders are used,.
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